First short story from new collection, available as an eBook

Last Thursday I put the first short story, Second Thoughts, from my new/upcoming collection (Time, emiT, and Time Again) on Smashwords. No one even downloaded the preview the first day (when it was most visible, on Smashword’s front page), and only one person previewed it the second day. So I raised the price from $0.99 to $1.99, since which time (ie: in the next two days) 8 more people previewed it. No buyers, yet, but we’ll see if valuing it at more helps.

You don’t have to pay $1.99 to read it, though. You can still have it for $0.99, if you like. Just use the coupon code MA67W when checking out at Smashwords and get this short story for half off. (Coupon code expires 6/30/2010, by which time I fully expect to have the full collection available in print.) Or, if you’re itching to pay $2 and/or love paper, you can still buy it as a signed numbered limited edition chapbook. Keep in mind, of course, that any backer who pledges $5 or more to my Kickstarter fundraiser will also get a chapbook – currently looking to be one of these Second Thoughts chapbooks (unless another 40+ people pledge in the next 25 days, in which case I’ll be making another story into a chapbook!).

What is Second Thoughts about? Well, it’s about a young man in love. It’s also largely about a timestop situation (ie: where the whole world seems to stop, except for one person, who keeps going) and the surreal experiences that creates. It’s worth a look – and you can read the first 1/3 for free.

numbers for March 2010, Q1

I had most of these numbers a week ago, but there were some delays, between Lightning Source, Amazon, and other projects I’ve been working on (Hey! The paperback edition of the Lost and Not Found – Director’s Cut was approved by Lightning Source today and my order for 50 copies went through! Are you excited?) and … well, then I forgot I hadn’t posted anything yet. So first I’ll give you some of the numbers for March 2010, then for Q1 overall. Let’s start with free eBook & podiobook downloads. Podiobook numbers are listed as final-episode-downloads/total-episode-downloads:

  • Lost and Not Found: 74 eBooks, 85/1,695 Podiobooks
  • Dragons’ Truth: 96 eBooks, 150/1,393 Podiobooks
  • Forget What You Can’t Remember: 84 eBooks, 95/3,110 Podiobooks
  • Untrue Tales… Book One: 81 eBooks, 292/3,318 Podiobooks
  • Untrue Tales… Book Two: 70 eBooks, 268/3,529 Podiobooks
  • Untrue Tales… Book Three: 70 eBooks, 152/1,581 Podiobooks
  • Cheating, Death: 0 eBooks, 293/4,253 Podiobooks
  • Total FREE downloads: 475 eBooks, 1,335/18,879 Podiobooks

Note that Cheating, Death is not currently available as a free eBook. I’ll change that, soon, I think. Now paid digital downloads. I had zero smashwords sales in March.

  • Dragons’ Truth: 1 kindle
  • Cheating, Death: 1 kindle
  • More Lost Memories, individual stories: 3 kindle
  • Total paid eBooks: 5 downloads, $5.08 net

I also sold a few paper books (& some art) in March, at the First Friday Art Walk & wholesale via LSI:

  • Worth 1k — Volume 2: 2 copies by hand
  • Second Thoughts chapbook: 1 copy by hand
  • Cheating, Death: 1 copy wholesale
  • Art: 1 painting, 1 mini-painting, 1 crocheted item
  • Total (paper) book sales: 4 books, $24.44 net
  • Total art sales: 3 works of art, $125 net

The order I made today for paperback copies of Lost and Not Found – Director’s Cut cost about $145. (ie: everything I just earned) This is intentional; even if they don’t sell right away, they’re already covered by income I’ve already earned. But hopefully they’ll sell, too.

So, for Quarter One of 2010, we have:

  • 1,535 free eBook dl’s, 17 paid eBook dl’s, for $22.51 net
  • 5,109 dl’s of final Podiobook episodes, 72,171 total episodes dl’d
  • Podiobooks donations for Q1 were $29.97, my cut was $22.48.
  • 4 paperbacks & 8 chapbooks by hand, 3 paperbacks wholesale, for $57.07
  • 1 painting, 5 mini-paintings, & 1 crocheted item sold, for $170
  • Gross income for Q1: $272.06

That’s about 4 cents per free download of one of my books, by the way, assuming you include the art income. (w/o art income, it’s about 1.5 cents per copy)

Lost and Not Found – Director’s Cut, cover preview

I’ve been working most of the night (since getting back from the Art Walk; I may post about THAT later) on the layout & cover design for the print edition of the Lost and Not Found – Director’s Cut. Looks like it’s going to be 114 pages, and be priced at $9.99. Here’s the cover design. Click for to see it bigger (ie: so you can read the text).

Lost and Not Found - Director's Cut, book cover preview

As I mentioned before, the front cover is based on the painting ‘love takes flight’ which I designed and painted specifically for it. Not thinking clearly (apparently) I didn’t paint something suitable for a wraparound cover (like I did for More Lost Memories & Cheating, Death – and photographically for my other books), so night before last I painted a new 8×10″ blue sky painting for the back cover. Last night (I’m still up, I keep wanting to say “tonight” even though it’s after 7AM) I scanned that painting, adjusted its colors to match the other painting better, and then worked for hours to get everything just so.

If you’d like to leave a comment, I’m asking two things: 1) What do you think of this cover design & especially of the words on the back? 2) What should I paint on the 8×10″ blue sky canvas? (ie: it served its purpose of being blank for the book, now what?)

Time, emiT, and Time Again – fundraising via Kickstarter

So. I’ve been procrastinating the completion of this project for a couple of years, at least, but it’s been bumped up the list for a couple of reasons: 1) Research for the Zombie-Alternate-History/Solarpunk books is going to take longer than expected 2) This collection is at least half written already 3) Fundraising via something like Kickstarter is something I’ve been wanting to try for a while, and it fits this project.

The idea is to raise the money to pay for the preparation and printing of the new book ahead of time, while engaging actively with readers and allowing them to participate both in funding and in creation. I figure I need about $300 to cover setup and a small initial print run, which is only 20 people pledging $15 or more, and would mean the book was profitable from day one. As you know, most (or was it all?) of my books struggle endlessly to reach profitability. Which, like showing at the Art Walk without making sales, is not sustainable.  In November I tried for the first time to raise funds to pay to put the Lost and Not Found – Director’s Cut into print by selling an original painting I’d created for its cover, and this week the painting sold. Next week I’ll be sending the book to Lightning Source. That fundraising method worked out alright, but I’d like to try other methods, and this is the next iteration. Everyone who pledges, even just $1, gets rewarded – whereas only 2 people were involved in the funding/rewards for LaNF-DC. So:

What is Time, emiT, and Time Again, you ask? Here’s the description I gave over at Kickstarter:

TIME + LOVE = ??

I am working on a new collection of short stories and essays where each piece begins with an idea about time and with an idea about love, then follows them to see where they lead. Frozen time, time that flows back and forth, time modified by relativity (both physical and familial), post-singularity accelerated time, time from a divine perspective … unconditional love, brotherly love, a parent’s love of their child, unrequited love, or even the love one holds for the idea of what they once were, or what their children might someday be. Ideas worth exploring, and worth putting in print. Currently named after one of the stories, ‘Time, emiT, and Time Again’.

And as you may already know, I’ve got one of the short stories already available for purchase as a signed numbered limited-edition chapbook for only $2 plus shipping. That was another attempt at fundraising for the book, and … well, I’ve covered the cost of creating the chapbooks, anyway.

One of the great things about Kickstarter (other than how easy everything is to set up, and how clean & modern the site looks) is the ability to set up various “reward levels” for pledges. So, for example, if you pledge $1 or more, you get an eBook copy of the completed collection, you get your name (real name, username, twitter name, fantasy name, porn name, whatever) in the “Special Thanks” section of the book’s Acknowledgements, and -if you want- you can become a Beta-Reader for this, and future, books I write. Or if you pledge $5 you get that plus a signed numbered limited-edition chapbook containing one of the stories from the book. Or if you pledge $15 you get all that plus a signed paperback copy of the collection. And so on, through all seven levels of rewards I setup. …as long as the funding goal is reached.

Kickstarter fundraising is All-Or-Nothing, so no one gets charged for their pledge until the deadline (May 15th, 2010), and no one gets charged if the total amount pledged is less than the goal. If you (and your friends! Tell your friends!) pledge more than $300, that’s great, and helps this and future projects, but if less is pledged, I don’t get funded and no one gets rewarded. Including people who pledged at the higher reward levels, such as: Pledge $150 or more and I’ll take your idea re: Weird Time and develop it into an original story or essay, and include it in the book.

Or, if you pledge $500 or more, I’ll ship you (US addresses only) the original artwork I create for the cover image (along with all the other rewards, including writing a new story/essay from your idea). I’ve only just started some good sketches for it (I’ve thrown out several, over the years I’ve been contemplating publishing this), the best of which I’ve used as the image representing the project. Those are (probably) the sort of colors I’ll use; that’s just a quick color job I did in Photoshop for the Kickstarter image. I’m also thinking of painting the numbers in an interesting color gradient. The painting will be at least 12×24″ though I’m thinking of going out to get a couple 18×36″ canvases … I like a little bigger piece (though 24×48″ feels a bit big for this composition… maybe I’ll put this composition in at 18×36″ size, centered in the larger canvas to create more negative space for the painting, then crop it for the book cover…) and if you are the first person to pledge $500 or more, it’ll be yours. For certain, since that exceeds the $300 goal.

Go see the rest of the rewards (A handcrafted MP3 CD in a premium Jewelboxing case? Extra copies of the paperback to share with friends and family?) and the rest of the details at the official Kickstarter page for the project. Tell your friends. I’ll be creating an audio promo and a video promo for the fundraiser soon (as soon as I have my voice back). I’ll keep updating the kickstarter page as work progresses on the stories, essays, and cover artwork. If this works, maybe the future of Modern Evil Press won’t be as economically upside-down.

ME on iPad

The first version of the first iteration of Apple’s iPad will be in customers’ hands this weekend. Not in mine, unfortunately. I am quite eager to get one in my hands, and that eagerness is increasing as the iPad’s release draws nearer, but it is not a burning desire. In addition to my personal desire for the device is my professional interest in it. Among its many features and capabilities is its functionality as an eBook reader and store. As you know, I am a publisher. If I were a publisher with any capital to speak of, I’d already have a slew of devices to test my eBooks on – Sony’s eReaders, Amazon’s kindle, and Barnes & Noble’s nook, at the least. I don’t currently have any such devices, and simply hope that my eBooks look alright without ever actually seeing them on a dedicated device. (I’ve seen them on my iPhone, and on my iMac in a variety of preview softwares.) The Apple iPad is a device that many people see as “a game changer” for eBooks, and I agree (though I’m not convinced it will be via the iBookstore that eBooks are revolutionized).

Until a few days ago, it was unclear what terms Apple would be accepting publishers to offer books through their iBookstore; only a handful of major publishers had announced any deals. Then more publishers began putting out press releases about their agreements with Apple. I didn’t see anything coming out about small press and independent publishers making deals, or any official process for applying… but then I got an email from Mark Coker, founder of Smashwords, notifying me that Apple and Smashwords had reached an agreement and that qualifying Smashwords titles would be available in the iBookstore on April 3rd (ie: at launch).

In addition to the existing requirements for “Premium Distribution” from Smashwords to its partners (including Barnes & Noble, Sony, Kobo, and Amazon), in order to be distributed to Apple, each eBook needs its own ISBN (and Smashwords would gladly provide free ISBNs that list Smashwords as the publisher, or $10 ISBNs that list the author as the publisher), needs to be available in the ePub format, and needs to have a cover image at least 600 by 900 pixels. No problem on the cover images; all mine are print-ready sizes. No problem on the ePub format (well, except that Smashwords doesn’t allow some of the nicer features of the format, such as chapters / Table Of Contents), since I always convert to all available formats. I also own an hundred ISBNs, and assign them to my print books, audiobooks, and eBooks, as I create them.

One thing I haven’t been doing is assigning ISBNs to the individual short stories I’ve been selling through Smashwords and on the kindle. For book-length works, I’ve assigned an ISBN to each version I’ve made available for sale. But at the rate I bought them, back in 2007 before single-ISBNs were available in the US and buying 10 ISBNs was over $300, I paid roughly $1200 for 100 ISBNs. I’ve just looked it up; I can now buy a block of 1000 ISBNs for $1000. Sigh. My ISBNs cost $12, so it seems difficult and expensive to assign them to individual short stories. If my ISBNs had cost me $1, it might seem less terrible, but spending another $84 to put the seven short stories I’ve released individually from More Lost Memories (which I’ve been pricing at a reasonable $0.99 each)… and of which I’ve only sold 15 electronic copies (that’s total, across all 7 stories) since making them available a year ago, netting me $6.09. Let’s do some math: In order to break even on selling these stories via the iBookstore, based on the $0.99 price each and the 60% royalty rate, I’d have to sell 142 copies of these stories to iPad users. On the other hand, the market value of my ISBNs is now less, and if I pretend they’re only worth the current market price, then it would be easy to expect to earn out the $7 worth of ISBNs… sigh. I suppose I ought to have been depreciating the value of my ISBNs on my taxes, after all.

So … I’m resigned to go ahead and assign the ISBNs to the individual stories, I suppose. Hopefully it won’t wreak havoc on my ability to show a profit this year. Between the More Lost Memories stories and the short story & essay collection I hope to put out this summer, I’ll be using about $200 worth of ISBNs just for the individual short stories. If you’ve read my recent posts on sales & income, you’ll know this is … not a small expense. It isn’t something I have to pay right now, but because of the way I’ve been accounting for my ISBNs (as a pre-paid asset), it counts as an expense against this year’s income. I have some plans/ideas for covering expenses better this year, some already in motion, but this ISBN thing may make things more difficult.

Then there’s the iPad development costs. Basically just the $99, since I’d do all the work myself. That’s not including the cost of the iPad… which wouldn’t be a strictly business purchase, anyway. But I’d like to do some work … really, I’ve been meaning to develop for the iPhone, as well, but have been putting it off. Having finally reached a point of not feeling perpetually behind on already-completed projects (which has a lot to do with my decision to take a step back from the Art Walk & other habitual activities & re-evaluate my path) I think I may have time to work on some of the projects I’ve had in mind for the last year or few.  Things like narratives that tell a different story depending on how you hold them or where you are, or the ability to allow readers to interact physically with a story… in ways I won’t try to describe here.

…I’ve lost track of things here, somehow. I’ve been staring at this post, slowly adding to it, for the last six or seven hours, actually. I think I missed half my point. I can’t recall what it is, now. I’m quite tired. Actually, I started watching The IT Crowd on Netflix instant when I set down to write this, thinking it would be nice to have a little something on so I wasn’t sitting alone and in the dark and in the quiet typing… I started on the first episode of the first series and I’m now on the last episode of the last series. It has been much better than I’d originally expected from the brief description, but I’ve been laughing most all the way through it. The show has been quite distracting. I’m sure I’d have struggled & wandered a bit in this post, but not for as long as this. Sorry. Let me try again, more succinctly:

I want an iPad or two. I want to see my eBooks on the iPad. I’m excited to be able to sell my eBooks in the iBookstore. I want to develop for the iPad (&iPhone). I’m not burning with desire for the device (nor do I have the money, really, right now), so I’m planning to wait a bit before getting one. (When the iPhone came out, I didn’t run out & get one right away. I patiently waited, then ran out the day after the price drop & bought one for $200 less. Depending on which comes first, a price drop or an upgrade…) I’ll probably go into the local Apple Store next week to molest try out an iPad – part of my hesitation is in not ever having had a chance to see and touch the device; $500+ is a lot (for me) to spend on something sight unseen.