Title for my new zombie novel

For my next book I’m trying to do that new experimental-for-me way of writing a book where I try to write something marketable, that sticks in a single genre, and is easy to explain. In addition to the book itself, this tactic simply must extend also to the related materials. ie: the title, the cover, the copy. I haven’t written the first word of the book yet (though I’ve been outlining the plot -hah! I’ve got a plot!- and working on some notes), but I’ve been spending the last week or two trying to come up with a title and to imagine the cover. Cover… I don’t know yet. But I think I’ve got my title.

Cheating, Death

I know, I know, because of the way search engines handle punctuation it’ll come up next to the dozen or so books whose titles also include the words “Cheating Death” – only a few of which appear to be fiction. Looks like two kindle-only books have the punctuation-free version of this title, a murder mystery and a vampire romance. I’ll gladly add a zombie book to that mix.

Definitely going to need a clear, distinctive cover that communicates ‘zombies’ though.  If I could somehow depict the main character, his wife and his mistress on the cover, with zombies, the entire title would make sense at a glance.  Probably not likely, that.

Oh, and by the way:  I’m planning on putting this book up on Smashwords.com as soon as I’ve written the first chapter.  I’ll keep updating it as new chapters get finished, so you pay once and can watch the book take shape as I write it.  As soon as the book’s done, I’ll also make it available in print, on kindle, and then probably on Podiobooks.com as well.  (Depending on time management, I may simultaneously release chapters on Podiobooks and Smashwords, as I write them. I’m still podcasting Untrue Tales… so that may be difficult.)

But keep an eye out for my upcoming zombie novel that is a zombie novel, Cheating, Death.

formula for fiction, a poem

I’ll probably record this for MEPod tomorrow. (Done. Hear it here.) I just wrote it. It’s …. it’s what I’ve been thinking about. Getting ready to write a new book. As an experiment, I’m thinking of -experimentally- writing a formulaic book that will be easy to market. In possibly related news, I have a headache. Also, I think I can hear something moving around in the walls. (Hopefully not a moose.)

formula for fiction

protagonist plus
antagonist and
conflict, action; stuff happening.
motivation, goals, and consternation.
obstacles,
overcome only
in the face of new obstacles

some reason to exist
some reason for the action
some reason for the goals,
   and to work against them.
some reason to care about
   the characters,
   the resolution, and
some reason to hate the antagonist.
some reason to
               always
               turn
               the next
               page
  no reason to think.
         or to read it again:
       only to read another.
throw it away, buy another,
             and another,
           and another,
         all the same.

 
—Teel McClanahan III

There is so much in this world I do not grasp.

There is so much in this world I do not grasp.

I often can’t wrap my mind around the way the human race sees things, thinks, feels.  It seems so distant, so foreign.  I feel so out of touch.

The “can’t see the forest…” concept, while not quite right, can help to illuminate some of my problem:

In many situations, there is a basic, obvious concept.  One that everyone else seems to understand.  To understand so well, so deeply, that they have no idea how to explain it.  Some concept, some idea, some understanding, some feeling, that is so ingrained, so obvious, so clear to them -to everyone else- that no one has ever come up with words to explain it.  So obvious that, usually, people can’t grasp what, exactly, it is I’m not grasping.  And in my noticing that there’s something I don’t understand, in trying to understand it, in trying to break it down and in trying to get people to explain it to me, I’m often able to squeeze out amazing, tiny, yet-ultimately-useless details about it.

I can see the fungus thriving on the old growth.  I can feel the cool of the shade created by the foliage.  I can hear the wind blowing through branches and the birds, insects, & animals all around, and the flowing water of a stream.  I can describe the perennial and diurnal cycles of the topiary.  I can write poetry about my experiences and emotions within the place, poetry that resonates with others and seems to show my deep understanding and connection therein.

All without noticing that it’s a forest.  Or that when people say ‘forest’ that’s what they mean. And perhaps without realizing that the whole point of the thing is the trees – wait, did I even mention trees?

No.

Exactly.  And it goes another way, too.  Sometimes with the same concepts, though usually with different ones:

I miss all the details.  I miss the little things, the “small stuff.”  Stuff that is the totality of what most people can see.  Except that I can see the big picture.  A big picture that other people didn’t notice or -sometimes, it seems- can’t notice.  That seems, to them, to contradict the details right in front of them.  Often it’s the same frustrating situation reversed, where the one who can see the big picture as though it were obvious can’t explain it sufficiently to those who didn’t notice there was any picture to see.  I often can’t find a meaningful way to express these ideas.  These obvious things.  And even while looking at them, I often miss the details that are so obvious to others.

Oh, and then there’s dishonesty.  Willful ignorance.  Intentional injustice.

Even things as simple and everyday as violating traffic laws…  I can’t grasp why people a) do so & b) think it’s okay.  It gets harder/easier to grasp when I try to talk rationally to them about it, because it becomes clear that they’re being willfully ignorant, or don’t believe in justice, which are larger concepts that I have trouble with.  So it’s harder, because I can’t grasp why they would think/be that way, but it’s easier, too, because once I know they’re that way they’re easier to dismiss.  Oh, this person is the incomprehensible way they are because of this larger concept I already know I don’t understand.  No need to try to understand this lone case.  Keep wondering about the endemic problem.

Most of the things I can’t grasp aren’t as awful as those few.  Most of them are concepts that -if I went to good schools for another couple of decades- I could probably piece together from contexts.  Little things like the significance of certain phrases and classifications.  Things that Wikipedia struggles to define just as readily as everyone else struggles – there is no entry for this, because we all assume you already know.  Or: The entry for this doesn’t actually explain the concept it purports to, merely telling you about the history of it, or the people who are known to have been involved, and -again- assuming you and everyone else in the world already understands the core concept so intimately that it need not be said, you just came here to find out about things related to it.

Oh, and then there’s the consequences of not knowing.  Sometimes one can actually violate laws, business practices, or customs by ignorance.  In some cases, ignorance of the laws/practices exists because everyone feels that the idea is so obvious that there’s no need to mention there’s even a law to break or a particular “right” way of doing things. Or to discuss the subject at all.  In any forum.  You are simply expected to know.  And when I have the gall to ask “well, how was I supposed to know?” –The most common answer is something like “There are resources out there, you should have researched it!”  Upon pressing, I’ve never been able to get the people who give me such answers to point me in any helpful direction.  They are sure there must be resources out there, even though they’ve never seen them themselves, couldn’t name one, and have no idea where to start.

More to the point: If I don’t know that “Rule #1” exists, I’ve never heard of it, no one discusses it, everyone else just knows and assumes it is known by all… Then how can I know that I ought to go find out what “Rule #1” is?

How can I even know that there’s research to be done?  I’m just supposed to guess?  “Hmmm… I wonder if perhaps there is a thing about which I don’t know, which no one has ever mentioned, that by not being aware of I might violate [a law|an ancient custom|a standard business practice]?  I shall go research for this unknown thing, and see if I can stumble across it!”  In some cases, in my own life, in my own experience, I’ve come to the point beyond which I’ve discovered -by violating a law, or by conducting business in a nonstandard way-  that there was something I didn’t know, but was expected to know.  That I was expected to know, and that now it’s too late.  I can’t satisfy the law except by being marked criminal.  I can’t conduct business with that company / in that place / in that industry again.  I discover that there’s something I didn’t grasp -perhaps still don’t grasp- about the world, and that even if I’m now able to figure it out (and I often am not), it’s too late for doing so to do any good.

Sometimes I can recover.  Sometimes … Sometimes I don’t want to.  The following, while a current example, was not first in my thoughts when I began this post.  It is only a lone example:

For example, I don’t really understand the concept of “genre,” even now.  It didn’t even occur to me that it was something I ought to even be aware of, to think about, to try to understand, until after I’d already written four or more books.  It just didn’t occur to me.  And it was so obvious to everyone else that they didn’t mention it.  Then at some point I began to try to do “marketing” for my books, and I learned that -apparently- not only to readers assume that every book has a genre, but that authors/agents/editors have decided that every book must have a genre, and be written according to genre conventions, in order to sell.

Even then, after four or five books, even after beginning to try to comprehend the bizarre modern practice of “marketing,” it still didn’t influence my writing.  I just kept writing what I had to write. Turned out that included a book that had zombies in it.  Which, when people read and discovered it wasn’t in the “zombie genre,” really seemed to upset and disappoint them.  And they didn’t like it.  And they gave it bad reviews.  And I didn’t like that.  So I started trying to think about genre.

Apparently there were some rules I didn’t realize existed about how to write books that I’ve been violating.  I still don’t really understand it.  Don’t comprehend it.  Don’t grasp it.  But at least, right now, I’m aware that there’s something about it that I don’t grasp, so I can go looking for the possibly-nonexistent resources about what everyone else assumes I’m supposed to be doing… And… really, what I want to do… What I think I’ll probably end up doing… Is to learn everything there is to know about “genre” and then just keep doing what I was doing before.

But that’s just an example.  And I’m getting sleepy.  And I haven’t been to church in a while -which is a subject that could take up twice as many words again as this post has already- so I ought to go to bed soon so I can get up for church in the morning.  bleh.

On physical media vs Intellectual Property

Note: I read this post aloud for the Modern Evil Podcast, today. Episode 86.

Related somewhat to my recent post about some of my perceived problems with eBooks, tonight I noticed a similar problem with music.  As I tweeted a little while ago, “Listening to previews of the songs on Moby’s new album in iTunes. Makes me want to go out and buy it on CD. I don’t trust dl-only anything.”  I then went on a bit on Twitter, saying that if I could easily and always access what I’d paid for “from the cloud” on any device, for life, that’s one thing. Currently: it’s simply too easy to lose digital media.  I know corporations want me to keep re-buying my content, over and over, with each new format. I say f_ck that. Sell me a license to the IP, don’t sell me the container & expect me to re-buy the IP if the container breaks.  Yes, I’m supposed to back up my digital purchases… but buying the CD is buying the music PLUS a high-quality backup I can play in my car!  If I buy the music from iTunes, I have to make my own backup, on less-reliable (and uglier) media.  Why would I want that?

Yes, as with eBooks, there is convenience. It would be nice when, as in this example, I wake up at midnight, find an email about Moby’s new album, listen to the previews and think it’s great, I could instantly buy a copy of the music without having to worry about when stores are open and where this particular CD might be available.  (ie: Super WalMart is open right now, but they don’t stock all the music, just some of the music, and supporting them is economically dubious.  I prefer to buy from Zia, a locally owned chain of record shops, but they don’t open until 10AM, by which time the allure of “now” will likely have faded into “someday”.)  With a digital purchase (or the sort of “I’m buying a license to this IP” idea I suggested above), I could have instant access to the music or the eBook (or the movie, or software, or whatever), and instant is good.

But then there’s also the bad of digital.  The inconveniences.  Yes, iTunes is now (sortof) DRM-free, so the “I can only play this song on 5 devices” rule isn’t as problematic, though I do have a chunk of music with that problem.  Some eBooks have DRM, some don’t.  But here’s a problem: by buying a digital-only copy of the music/book, if I lose that copy I have to buy it again.  Yes, this is true of all buying-the-container systems: If I lose the CD, I have to buy it again.  If I lose the paperback, I have to buy it again.  But it’s much, much easier to lose digital goods than it is to lose physical goods.  Hard drives crash.  Files become corrupt. Or lost. I buy a new computer every couple/few years.  I buy a new iPhone every couple of years. I bought new iPods every couple of years before that.

Earlier I said “I don’t trust dl-only anything.” — I have reason to say this.  I have bought, and lost, I-don’t-know-how-much-money’s-worth-of-music &c. over the years.  Yes, I made backups.  In some cases, the backups were lost.  In some cases the backups failed.  At one point I was backing up to tape and then the drive broke and I discovered the company was out of business and replacements had become very, very expensive on the resale market.  In one case, I actually used iTunes’ built in “backup your digital purchases” function to do a complete backup before format/upgrade of OS, and found that -randomly- huge swaths of my music had not been backed up.  Many albums only had one or two songs left after restore, many paid-for singles were simply missing.  I followed all the directions to the letter, and they had failed.  Luckily, most of my music comes from CDs, so over the last few years as I’ve discovered missing tracks I’ve been able to grab the CDs and re-rip them.  Not so of digital purchases.  I am missing Long Tall Weekend completely and -as far as I know- can never get it back.  (Or maybe I can get it back if I pay for it again.)

We live in the future. DRM is a watchword on everyone’s lips, but they’re using it wrong.  I love the idea of Digital Rights Management -what those words acutally say- because I dream of a future where, when I’m shopping at iTunes or the Kindle store or Smashwords or whatever, what I’m actually paying for with a purchase is the right to listen/read/use the IP I’m paying for, rather than the container.  I dream of a future where my rights to listen to a particular song or album will be managed digitally and I’ll be able to access it regardless of device failure/upgrade.  I dream of a future where I can buy the book ‘Let the Right One In’ and access it instantly as an eBook on my choice of devices or -because my digital rights are protected- have a copy printed up on a local EBM or by an online service for only the actual printing cost (ie: without having to pay for the IP again).  I dream of a future where DRM is a good thing for consumers, instead of the weapon it currently is, wielded by corporations against the very people whose purchases support them.

Physical media -CDs, paper books, DVDs, et cetera- should not be what I’m buying any more than the container that is a digital download (ie: this particular .mp3 file contains a copy of this song) should be.  Smashwords gets this concept right – you pay once for a Smashwords title and you can dl it as many times as you’d like, in as many formats as they can produce, for as long as Smashwords exists.  (Which will hopefully be at least until my dream DRM system is implemented.)  Kindle … sortof gets it, in that you can re-dl your titles with WhisperSync, but doesn’t really get it, since you can’t re-dl a title that’s been removed.  (ie: if a Publisher decides they don’t want to sell that book on Kindle anymore, they remove it and you’d better hope you had a backup.  Or, apparently, if they put out a revised edition of the book, they may remove the old one -and then you have to re-buy it if you ever lose the file or want it on a different device! WTF‽)  Do you get it?

I try to do it right, but since I’m one guy, not a mega-corp, the easiest way for me to manage it is to simply make free, DRM-free copies of the eBook and audiobook available alongside pay versions of each.  If you pay for one, you don’t need to pay for the others (though you can).  Unfortunately this leaves the “paper is best” standard in full effect – I have no easy way to give away a free copy of the paperback with purchase of the eBook.  Someday.

Smashwords eBooks promotion

For the month of July, the easiest way to get my eBooks on your eReader or iPhone for free will be via Smashwords.com.  (My eBooks are always available for free on modernevil.com.)  For owners of the iPhone/iPodTouch, just go into Stanza (a top-notch eBook reading app with access to many full catalogs of eBooks), navigate to the Smashwords store, and search for “Teel” (that’s me!) using the magnifying glass icon in the upper right corner of the app.  The coupon code to get the books for free is “JFREE” and it works throughout the month of July.  Be sure to check out the entire promotional catalog (you can’t miss it in either the iPhone app or on the web site) to find thousands of other books that are discounted (or free) during this promotion.

Why free?  For the reasons I’ve already covered, and also because I recently set all my eBooks’ prices to under $2 on Smashwords and in the Kindle store.  Try them, buy them, tell your friends.  You can’t beat free.