last day to pledge

Today is the last day to pledge toward my Kickstarter fundraiser for the creation and publication of Time, emiT, and Time Again. If you have been waiting to pledge, wait no longer. Time is running out!

In about 20 hours, the widget here will change from counting down the hours to saying I was “successful.” Which is awesome. For an attempt to try to raise funds to cover publishing costs by selling art, it has been a success. As you may already know, if you have looked at this kickstarter project’s progress at any time in the last 44 days, I actually surpassed my funding goal on day 1. I had two pledges on the first day, one for the “signed paperback, plus” level, at $15, and one for the “painting and everything else” level – at $500. Then last night my sister pledged another $15 – which I appreciate; she’s certainly my most loyal and supportive reader, always helping with editing and then buying the books she’s already read anyway. She has a full collection of every book I’ve published.

What I find troubling/frustrating is that in the time from the first day to the last, my project received no other pledges. I recognize that this may be, in part, because when they went to the page it said I’d already surpassed my $300 funding goal, having $515 in pledges from day one. I further recognize that it means that only 3 people (so far) considered this to be a good way to pre-order this book, and support the project.  Maybe I didn’t sell it well enough. Maybe people aren’t interested in time/love stories, sci-fi stories, or it’s the “short stories and essays” part that’s throwing them off. I don’t know. But I tried.

My furthest-reaching campaign was via podcast. I created an ad and had it inserted into 5 of my audiobooks over at Podiobooks.com. I realize it was a little long, at a full minute, and that the same ad played before every single episode of each book, so that some people may have gotten into the habit of skipping past it… I’m going to work on refining my advertising attempts in the future, I assure you. (Literally days after I submitted my ad plan to Evo, he sent out guides to the entire PB authors community explaining how to do better than I did – not mentioning me, just … basically, it felt like a response, addressing a laundry list of things I did “wrong”.) Still, the ad was attached to somewhere in the neighborhood of 19k+ episodes of my books. At a minimum (if there was 100% overlap of readers between books) around 475 people downloaded at least one episode with the ad, based on the stats I have, and perhaps more than 1650 listeners heard it. On my own podcast, the promo itself was downloaded another 50 or 60 times by itself, and I’ve mentioned it in four or five other episodes, to try to remind my readers about it. Now, since the first 2 pledges came before the ad started running, and the other pledge was from my sister, I know that advertising this on my podcasts has had a 0% response rate.

Hundreds of people visited this blog, over a thousand people follow me on twitter, I have another couple hundred ‘friends’ on facebook, and I’ve tried not to mention the fundraiser too often but I’ve certainly mentioned it plenty of times in the last 6 weeks. The backer that wasn’t my sister (and wasn’t for the painting – that guy is a patron who funds lots of kickstarter projects) came from someone who saw it on Facebook, so that was semi-successful. But blogging, twittering, podcasting, talking about it at parties to my longtime friends, and the rest of it seems to have drawn no interest.

I don’t know what else to do that I can afford to do. Yes, it was “successful” in that I reached the goal amount and will be able to print the book without going further into debt. Yes, this book will be profitable before the first copy is printed and sold, and will continue to be profitable just about forever (because while I’m not great at business, I at least know how to subtract). Yes, that’s wonderful and I’m grateful, and I’m looking forward to being able to continue using the sell-art-to-publish-books model in the future. I think it’s great.

Still, I wish I had a broader (paying) readership. People who were so looking forward to my next book that they’d be willing to pay $15 for a signed copy (or $1 for the eBook! Seriously!). I’ve had at least 6100 people download at least one of my eBooks or audiobooks (and perhaps as many as 28,000 people) in the last couple years. I know those aren’t “big” numbers, those certainly aren’t “big publishing” numbers, but if 1% of 6100 people had been willing to pay $15 for my next book I’d have had triple the amount currently pledged and could publish my next few books without worry. If one-tenth of one percent of 6100 people had pledged, I’d have had twice as many pledges as I do now.

It’s difficult to avoid the conclusion that people just aren’t interested in reading (or paying for) the books I’m authoring.

I suppose I’ll just have to keep working on it. Keep trying to be a better and better author. Keep trying to find new readers and new listeners, hopefully some who can afford to pay a few dollars a year to buy my books. Keep coming up with effective ways to keep profitable if/when that doesn’t happen. Persevere.

Numbers for April, 2010

I don’t yet have final numbers from Amazon re: kindle eBook sales, but as of yesterday afternoon (ie: a few hours from the end of the month) I had sold two copies of Cheating, Death for a net of ~$3.50 (ignoring that someone bought & returned a copy of the Lost and Not Found eBook – how/why do you return an eBook? Seriously?). No sales via Smashwords (though apparently it can take several months to get numbers from sales through their distribution channels (ie: B&N, Sony, Kobo, Apple), so I may have made sales in the last several months of which I am unaware), no wholesale paperback sales. Sold 1 paperback copy of Dragons’ Truth directly (via modernevil.com) yesterday, for $12.99. Sold no art. Total income from sales for the period was thus $16.49 (on a cash basis).

Here are the eBook and Podiobook download numbers (including above eBooks estimates), as usual giving the total of eBook downloads, the total of Podiobook downloads, and the more-accurate (re: # of people who dl’d a full book) total downloads of the final episodes of each Podiobook, as: eBook/total-PB/final-PB

  • Lost and Not Found: 81 / 1488 / 71
  • Dragons’ Truth: 90 / 1149 / 111
  • Forget What You Can’t Remember: 96 / 3029 / 90
  • Untrue Tales… Book One: 69 / 3961 / 354
  • Untrue Tales… Book Two: 60 / 4241 / 327
  • Untrue Tales… Book Three: 70 / 2320 / 214
  • Cheating, Death: 2 / 4042 / 304
  • Lost and Not Found – Director’s Cut: 0 / 806 / 97
  • Total for all titles: 468 / 20,230 / 1471
  • Total YTD: 2020 / 92,401 / 6580
  • Total all-time: 10,442 / 272,502 / 17,699

Starting late in the month, I put a code to download Cheating, Death for free from Smashwords on its eBook page at modernevil.com – for my other books, I’ve downloaded or created the various free versions of the eBook and put them right on the page, which is where the above download numbers come from; this is an experiment to see if people will go through the extra couple of steps to get the book from Smashwords for free. So far: no. None. Maybe next month. LaNF:DC eBook is still pay-only.

multiplatform release of Lost and Not Found – Director’s Cut

50 paperback copies of Lost and Not Found - Director's CutLost and Not Found – Director’s Cut.  Today was a big day for this book. I received my initial order of paperback copies (50 copies, seen at right, click = big) from my printer, Amazon got it online with full Search Inside / Look Inside, and it went live as a complete audiobook at Podiobooks.com. It’s been available for several months as an eBook from Smashwords (which distributes it along with my other eBooks to the eBook stores of Barnes & Noble, Sony, Kobo, and now Apple’s iBookstore), and I already ran it on the Modern Evil Podcast. It got its first book blogger “review” (admittedly from my wife) last night.

I’m sending a copy or two of the paperback to the patron-of-the-arts who purchased the painting I created for its cover. I’m sending a copy to the Library of Congress. (I might supposed to be sending 3…? But my actual paperwork just asks for one.) I’d love to send YOU a copy for review (in your preferred format, paperback, eBook, or audiobook) if you’d be interested in reading and reviewing it. Book bloggers are preferred, but if you’ll review it on Amazon & Smashwords I’d be glad to provide a copy of the eBook to just about anyone. If you’re a fan of audiobooks, you can get it right now for free from Podiobooks.com – I’d appreciate a review there and, if you can take the few minutes to copy/paste it, on the iTunes Music Store as well.

Go here for more information about Lost and Not Found – Director’s Cut. (Updated just now.)

Comment here, or email me at teel@modernevil.com, or send me a request on twitter @modernevil, and I’ll get you a copy.

New story idea / it was all just a dream

As you know, if you’re following/backing my Kickstarter fundraiser for the publication of my next book, I’ve made some good progress on that project in the last 24 hours. I wrote the first draft of the first of the essays I’ll be including, and I began work on an idea for a new time-related short story. Actually, in the last 12 hours (since I first came up with the idea for the new story), I’ve written somewhat over 1200 words of notes, outline, and information toward the development of that story. I spent the last 3 hours trying to figure out how to start writing it, actually – it’s difficult to know where to begin, in a story with a lot of convoluted & iterative time travel, without a good idea of the entire sweep of the story.

As you may know (I don’t know whether I’ve mentioned it here), I’m not a fan, in general, of the “it was all a dream” story structure. For example, regardless of anything else it may have going for it, I consider Donnie Darko a piece of shit because it cancels out everything interesting that would have happened in it, if not for the time-altering resolution. I recently watched and complained online about several episodes of Stargate where “it was all a dream.” In one episode, we start in the future, follow the characters, the intrigue, the investigation, then the dramatic action sequence, the result of which is … nothing you just watched happened, because they sent a note back in time preventing it. In another episode we watch what seems like interesting character development, interesting action, and enigma-unravelling intrigue, but when they unravel it, it turns out the team was actually kidnapped, and everything we just watched never happened, it was just a dream the alien captors projected into their minds. There were three episodes in a row that did the same thing.

I don’t like it. I don’t like spending hour after hour watching or reading about events that, within the story’s own created rules/timeline/consistency, never happened. I don’t mind that it’s fiction. I know that fiction never happened. I don’t even mind something like fan-fiction, which I know isn’t canon & the events of which didn’t “actually” occur in the timeline of the original story. So I suppose it may be a subtle, difficult-to-define line. I suppose it has more to do with a particular structural technique within the story, rather than the basic concept of a story that “never happened.”

So … knowing how much I dislike “it was all a dream” stories, it was -momentarily- troublesome to me when I realized that there was an aspect of this sort of structure in the new story I’ve been developing.

Then I remembered what a “terrible” writer I am: My plan for the story is (and has been since I came up with it) to not tell the parts of the story that were cancelled out by time travel (except as first-hand accounts by witnesses from the alternate futures). I’ve been mapping out the (currently three) iterations of an epic space opera involving human colonization of the solar system, invasion by aliens, and humans’ various (and increasingly advanced) attempts to defend itself, making use of a modicum of time travel as a last-resort measure, over and over, and that’s why I have so many pages of notes already. I’m confident that I could, if I didn’t write the story in such a way that cut out all the action, adventure, romance, et cetera -if I wrote in a more traditional way, and if I wrote “publishable” fiction- this could easily be a book length story by itself. Quite possibly an epic space opera, longer than any of my other individual books.

Instead, I’m going to write it from a different sort of perspective. I’m going to try to explore the effects and implications of time travel (and love), rather than to try to write an exciting and engaging yarn of adventures through space and time. I’m also going to try to address part of the idea that people are trying to wrap their minds around when they utter something like “if time travel was possible, wouldn’t we have seen time travelers already?” I’m going to do it by showing all the parts that weren’t “just a dream” and I’m going to leave out all the parts that were.

When I first began explaining the story to my wife, this afternoon, I said that it seemed I was about to write yet another story where nothing happens; where none of the action takes place on the page, where it’s just a bunch of people talking about things that happened, and about what they’d like to do next. Seems to be a big part of my writing style, I suppose.

First short story from new collection, available as an eBook

Last Thursday I put the first short story, Second Thoughts, from my new/upcoming collection (Time, emiT, and Time Again) on Smashwords. No one even downloaded the preview the first day (when it was most visible, on Smashword’s front page), and only one person previewed it the second day. So I raised the price from $0.99 to $1.99, since which time (ie: in the next two days) 8 more people previewed it. No buyers, yet, but we’ll see if valuing it at more helps.

You don’t have to pay $1.99 to read it, though. You can still have it for $0.99, if you like. Just use the coupon code MA67W when checking out at Smashwords and get this short story for half off. (Coupon code expires 6/30/2010, by which time I fully expect to have the full collection available in print.) Or, if you’re itching to pay $2 and/or love paper, you can still buy it as a signed numbered limited edition chapbook. Keep in mind, of course, that any backer who pledges $5 or more to my Kickstarter fundraiser will also get a chapbook – currently looking to be one of these Second Thoughts chapbooks (unless another 40+ people pledge in the next 25 days, in which case I’ll be making another story into a chapbook!).

What is Second Thoughts about? Well, it’s about a young man in love. It’s also largely about a timestop situation (ie: where the whole world seems to stop, except for one person, who keeps going) and the surreal experiences that creates. It’s worth a look – and you can read the first 1/3 for free.