Cheating, Death – chapter 1

Go read Cheating, Death now.

Yesterday, I finally started work on my new novel, Cheating, Death.  As I’ve been working toward, as soon as the first chapter was done, I got to work getting it set up on Smashwords.  My idea is to write the book “live” on Smashwords; to make the rough draft available to readers as it unfolds.  The first few chapters will be free, and after a certain point I’ll gradually start increasing the price so that by the time the book is fully written, the eBook will cost full price.  Because of the way Smashwords handles versioning and rights, once you’ve paid for an eBook you have access to it no matter what the price gets updated to or how many times the text is modified – in fact, you actually get to choose which version of the book to download, if it’s been updated since you purchased it.  So whatever price you pay, whenever you purchase it, you don’t have to pay again and you get access to all future updates, including the final one.

I plan to update the book on Smashwords every time I finish a chapter (or if I’m on a roll, at the end of each writing session with any completed chapters).  I expect to finish the book by Halloween at the latest (because NaNoWriMo starts at midnight on Halloween), and perhaps as soon as the end of next week, if the story really flows out.  (One time I wrote a book over a long weekend, so there’s no telling, maybe I’ll be done by Monday.)  Your feedback on the novel-in-progress is appreciated.  Feedback on the content, the grammar, spelling, the unlikable characters, whatever – anything is welcome.  I’d like to get the thing in as good a shape as possible while I’m writing it.

I plan on doing as much of the back-end work as possible while writing it (plus I’ve already got the cover almost finished, and I’ve just put together several pages on modernevil.com for it) so that within a couple of weeks of finishing the first draft, I should have the paperback in hand.  Then, with any luck, I’ll start podcasting the audio version of the novel on November 13th – one week after Untrue Tales… Book Three is finished on the Modern Evil Podcast… which should give me podcast content until around mid-January, 2010.

Continue reading Cheating, Death – chapter 1

“…fiction is all about action…”

“…fiction is all about action, about pursuing a goal, doing something.” – No one ever told me this, & I didn’t notice it in my reading of fiction over the years, and I’m not sure I believe it’s true.  It certainly isn’t true of most of my fiction.  Forget What You Can’t Remember is largely the opposite of this, and in some ways even more the opposite of the source of this pull-quote. (It’s from #3, on dialog, if you actually go look.)  My most popular podiobooks, the currently-running Untrue Tales… follow a protagonist who is simply being led from one thing to another by external forces, with no real goals of his own, and often spends pages and pages with the characters not really doing anything.  Daydreaming, discussing the size and shape of Hell, thinking about whether to read each other’s minds or just have sex, even just staring at an impossible fireplace for 5+ pages.

The book I’m working on next, Cheating, Death, is also contrary in some ways to this idea that I had no idea until recently so many writers considered sacred: That your main characters need to be pursuing a goal at all times.  I’m intentionally writing a book where the central character can’t decide what he wants, changes his mind frequently and usually in response to outside stimulus (rather than any internal decision or conviction), and where the closest thing to a firm goal that he ever has (don’t get eaten by zombies) exists in a contrarian sort of thought-space (since the threat of the zombies exists basically as a symbolic external representation of his indecision).  His goal of ‘avoiding zombies’ is really a twisted admission of his deeper avoidance of setting or pursuing goals.  Oh, there’ll be action, he’ll be doing things; I’m also writing this book in direct contradiction to the most common responses to the zombie content in Forget What You Can’t Remember:  Not enough zombies, not enough action, not a ‘zombie book’ et cetera.  So Cheating, Death will be a zombie book, with lots of zombies, plenty of action, and cliched zombie things like having to turn on your own zombie-fied family members & narrow escapes not directly related to the skill/ability/resourcefulness of the characters.  I’ve been reading thousands upon thousands of pages of the most popular and successful modern zombie fiction I could get my hands on as research.

(Mostly what I’ve learned is that I don’t like ‘zombie books’ and I don’t like thrillers, whether they have zombies or not.  In addition, my favorite of all the zombie stories I’ve read have been ones that didn’t actually have any zombies in them.)

Was I supposed to have or come to a point, here?  Hmm.. just the one from the first sentence; I don’t think that the sole purview of fiction is action.  I prefer for the fiction I write to be more contemplative and introspective.  I’ve even recently thought of a name for the “genre” of fiction I write:  Introspeculative Fiction.  Two steps away from traditional Science Fiction or Fantasy, concerned with looking in rather than acting out, but always speculating on the future & the fantastic.

I’m not sure the Olivetti is the right machine for this novel

I’ve just been lying awake in bed, thinking about what to use to write my next novel, Cheating, Death. (Have you seen the cover I designed & painted for it?)  To most people this is sortof a decision between word processors.  Should I use MS Word, Open Office, Pages, or something exciting and hip like WriteRoom or Scrivener?  (Or asking around to find something half as hip as Scrivener for Windows, if that’s what you’re using instead of just getting a Mac already.)  ((Incidentally, stopping to fill in all those links really interrupts the flow of writing this.)) I hadn’t given it much thought, though when someone asked the other day I admitted that I tend either to write directly into InDesign (ie: doing all the publisher-type layout and formatting stuff as I write the first draft, since I’m going to have to get it in there for publishing anyway) or write the first draft on a manual typewriter (though I’ve heard good things about Scrivener, and keep meaning to dl the trial right before I start a new novel).

Anyway, so as I said, I was lying awake in bed a bit ago, thinking about maybe setting up to live stream writing Cheating, Death via USTREAM or some such, thinking about how I’d set up the camera or cameras, maybe see if I could use BoinxTV to do a split-screen with one video of my face and another of my typewriter, how to do lighting, angles, and be able to reach both the typewriter & the computer keyboard to interact with anyone watching and … and for a second it occurred to me that people watching might prefer/expect me to be writing in software and streaming the computer screen itself … but that passed, and I got to thinking about how I’d have to set up another table in front of my computer desk and wondering whether it would take the force of my energetic keystrokes on a manual typewriter…  Which actually led me to thinking about the idea that … I’m not sure the Olivetti is the right machine for writing this novel.

I mean sure, I used my Olivetti TROPICAL (looks like this one) to write the entirety of Forget What You Can’t Remember (among other things), it’s a good machine.  Reliable.  Comfortable.  I’m used to it.  It’s also the lightest and most portable of my working typewriters.  But I don’t think it’s the right machine for Cheating, Death.  This is a zombie novel.  Grittier, dirtier, more painful than FWYCR.  Still not a thriller, no, but the Olivetti is clearly for lighter fare.  So what else could I use?  Certainly not my Olympia!  (She’s a great typewriter, never had a mechanical problem with her, but every word that comes out of her is in script.  Cursive!  Far too feminine for this book.)  Perhaps the Underwood I wrote Dragons’ Truth on, or one of my Smith Coronas or Remingtons.  A friend gave me a President that needs a little work; maybe I could get it in working order… but even though it’s masculine, it has an even smaller profile than my Olivetti.  The President is for more lightweight work.  Maybe I’ll try it for some short stories.  It feels like it would be good at terse writing.

Just writing this post is making me want to go out to the storage room where most of them are sitting, waiting, on shelves, for the chance to be used.  Not all of them are fully functional.  A few of them need totally new ribbons, a couple of them I’ve never written more than a sentence with; I’m not even sure they’d survive a novel without serious repair.  I think my favorite Underwood is about to need a repair I’m not qualified to give it, and I don’t have any money to hire a pro right now.  (Have you considered buying a subscription to me?) I believe (though I recall offering to give one away in the last couple of years, so it may be one less) I currently have nine manual typewriters in my collection.  Each one has a different feel to it, a different character.  I don’t think the Olivetti is the right machine for this novel.  Maybe none of them are; maybe I should write it on my iBook.  I’ll definitely be doing my NaNoWriMo novel on it – I bought that iBook for NaNoWriMo, received it November 1st, 2004, and have been using it ever since… right up until I bought the iMac I’m writing this post on.  I bought that iBook for writing.  Perhaps it’s still the right tool for the job.  Certainly lighter and more portable than even the President.  Perhaps I’ll load it up with Scrivener and take it to town and see what comes out.  But I’m definitely going to get out all my typewriters this weekend & consider the matter thoroughly.

What about you?  What do you write with?  What would you use to write a zombie novel, to write Cheating, Death?

Update: I’ve just uploaded photos of all my typewriters to this flickr set.  I’m thinking about doing a post (or eight) detailing them, as well.

I love what I do

Truly a gift and a blessing that few are able to share, I love what I do.  I love painting.  I love writing.  I love being able to craft my ideas into experiences other people can share.  I love that I get to spend all day, all night, all my life doing what I want to do.  I love the total freedom.

Freedom to paint a strange abstract representation of my anger without thinking about the fact that pink, purple, and glitter might not be what other artists are using to express pent-up frustration.  Freedom to write novels that don’t follow genre conventions, aren’t anywhere close to being thrillers, and which expect their readers to actually think about what they’re reading.  Freedom to read dozens of traditional zombie books as “research” and then turn around and write several books that ignore tradition almost entirely; to write the zombie books I want to write.

I get stressed out about money.  I worry when I don’t make enough sales.  Sometimes I even let the stress and worry compromise my artistic integrity or block my ability to create freely.  I don’t like business, or marketing, or ‘profit motive’, or any of those other stupid things I have to do to be able to do what I love.  But still, I love what I do.

Cover for ‘Cheating, Death’

I’ve just been working on the cover image for my next book, Cheating, Death.  You can see what I’ve come up with, below.  This version of the cover is for the eBook, for now – I haven’t written the cover copy yet, assigned ISBNs, et cetera, but I want to publish this book as it is being written, so I needed a cover before I started writing.  I’m very nearly through with my zombie “research” -which in this case means reading a bunch of zombie books- and expect to start writing it soon.  I’ve actually also been doing a refresher on adultery, since it’s one of the most obvious elements of the book, right after the whole … zombie outbreak thing.

Anyway, your feedback on the cover image is appreciated, if you have any.

Cover image for my upcoming novel, 'Cheating, Death'