Category: Uncategorized

Yes, there is a fire, a big, big fire, burning within a couple of miles of here. No, it isn’t too, too threatening to us, because of the direction the wind blows. If it does start to come this way, or I get burned down, I’ll do my best to keep you updated.

I’m getting tired. It seems I’ve been reading discussions on the topic of Comictastic for … three or .. maybe 5 .. or 6 hours now. (link link link link) It’s silly. No, Comictastic and similar programs are not a “distribution system”, they are NOT “redistributing” your comics – your web server is doing the distributing. Comictastic and similar programs don’t even do “deep linking” which has been found illegal in at least one US court case. Comictastic and programs like them are simply specialized web browsers doing something that I have done manually in the past; requesting only the image of the comic from the web server because of bandwidth concerns.

Most of the people in these discussions seem to either be A) comics creators who haven’t had a whiff of dial-up in years and B) people who have never created/hosted web comics and don’t know anything about what goes on behind the scenes.

Since I AM a comics creator, and I AM on dial-up, and I have just downloaded and taken a look at Comictastic (yes, it is a Mac program causing all this hub-bub), I feel I have more perspective than many of the people who have been commenting.

See, for me, whereas when I had high-speed internet access I read as many as 100 different web comics every time they updated, on dial-up I can’t conceive of reading more than 5 or 6 with any regularity. It just takes too long. A couple of comics I’ve dropped from my reading list specifically because of what I refer personally to as “detritus” on their pages. Every navigation element is an image, their background is a huge image, more images in the form of “top 100” link buttons, “comic webring” buttons and ads (ads are usually not the largest of the ‘detritus’ files), plus clunky or bloated HTML code, and by the time my browser gets to trying to load the comic itself, it often times out and I have to try again. This is ridiculous.

This is also why every basic page on my site, Modern Evil, (save for author-modified blogs) has only 40k of HTML and images (combined) beyond whatever content that particular page is offering. The entire layout, the navigation bar at the top, the links to sections, the links forward and back through archives, the copyright notice at the bottom, the stylesheet, it’s all about 40k total. So when I upload a 100k comic, you only have to dl 140k to see it. And when I upload a poem, you only have to dl 41k to read it. Which even on my dial-up modem is a second or two, and on high-speed should load in a flash. Personally, I’m not worried about people choosing something like Comictastic to dl the “meat” from my site because it’s too time-consuming to actually visit.

But I don’t even read the “free” comics on Modern Tales sites … it takes too long, last time I looked. I don’t read some comics I very much enjoyed … their web pages are not optimized for the 60% of internet users who are still using dial-up. It’s silly.

I’ll be taking a careful look over the next week or so, to see if browsing comics with Comictastic makes my comics-browsing faster… perhaps fast enough to start looking at more than a few comics every day. By not downloading the ‘detritus’ on the web pages, perhaps my experience can be enhanced. At the same time, with comics like Penny Arcade, I know I’ll want to go to the page anyway; the ‘news’ posts are at least as entertaining as the comics, if not moreso. Reading that is like reading a blog I like. And I use an aggregator for most of those, too; I built it intoModern Evil.

My point on bandwidth is that for a lot of us, it’s at a premium. We want to read online comics, but it takes too long. Cut your ‘detritus’ size down to something manageable (How about we say 100k? Your website should not take longer to load than the comic it’s based around.) and we’ll keep looking at your web pages. Keep your web pages unmanageably slow to load and we’ll look for alternative ways to browse your comics, or stop reading them altogether.

Now, on the subject of losing the ad-revenue from readers:

I have been running Modern Evil since 1999. I have paid not less than about $300/year just for hosting and domain registration to maintain the site. Though traffic has been traditionally fairly low, I still had hosting costs to cover. I’ve been paying these costs out of pocket and doing everything I could to bring in revenue; offering merchandise, putting ads on the site, and now trying to sell content directly through BitPass. In four and a half years of operation I can honestly say that I have not made even $100 between all income sources, accumulated over the entire run of the site. Not inlcuding the value of the hundreds, perhaps thousands of hours of hard work I have put into the site over the years (not to mention into all the comics I’ve put there), I’ve personally paid at least 13 times as much out as has come in. Running a website, a comic website, a blog, a community site, whatever, is not even a break-even prospect for me. Or for most, I expect.

The last time I heard a statistic on it, I heard there were around 30,000 online comics out there. I doubt more than 1% of them are break-even or better. This is reasonable, considering popularity follows a power law. But is also means that around 29,700 online comics creators out there are in my position or worse, putting their time and their money and their sweat and tears into creating and running an online comic and the website it is hosted on, and never making a buck.

I just got my biggest check ever for ad revenues from Modern Evil, from Google AdSense. It was for all the clicks for all of 2003. It was under $14. I just don’t get the traffic to make ads cover bandwidth or hosting costs. Which is why you don’t see ads on most Modern Evil pages; thy never worked when I had them on every page, and I don’t like them. But hey, $14. Maybe I’ll put some more Google Adsense ads around this year. See if I can’t get to $20.

But even though I don’t make money, even though it costs me money to run the site, I don’t expect to stop running it any time soon. I don’t think I’ll stop putting comics up when I draw them. I don’t think I’ll stop posting stories and poetry and whatever else. I don’t think I’ll stop hosting other people’s stuff, either (I host three or four other people’s comics, plus a dozen people’s blogs), just because I’m losing money. I may, eventually, if the costs sky-rocket out of control (say, if traffic jumps from 1k people/day to 50k or 200k people/day), put more content behind a BitPass wall, but there’ll always be “free” content on Modern Evil that I pay for out of my own pocket. Like those other 29,700 independent comics creators out there, I’m doing it because I’m passionate about it and I want it out there, available for people, not because I think I’ll get rich.

So here’s my point on ad revenue being lost when people browse comics with Comictastic and similar products; for 99% or more of online comics we’re just increasing readership (which is why we have our comics online in the first place), we’re not worried about the pennies we might have received if they’d viewed our comic next to an ad. We’re just glad people are reading our comics. We’re glad to see someone likes what we’re creating. And with the site and merchandising linking built into Comictastic, if people want to see the site or want to help out financially, they’re going to anyway, even if they prefer reading our comics in a specialized browser.

Personally I’m so struggling with my finances this year that I can’t afford to spend more than a few dollars here and there, through a BitPass account I put money in before I had so much trouble. I’m not going to be buying merchandise or paying for comics subscriptions (or even registering Comictastic) until my personal financial situation turns around. Of course, before I have enough money to try to support my favorite online comics I’ll pay for satellite broadband and likely start reading a lot more online comics… so we’ll see how that goes if/when it happens.

***

If you are a comic-creator:

Comictastic and other similar programs are NOT violating your rights any more than IE, Netscape, Opera, Mozilla, Safari and similar programs do.

They do not duplicate, reproduce, or redistribute your comics or any of your intellectual property any more than any other browser.

If you want to keep your readers from using programs like this, make browsing your web pages easier! Cut back on the ‘detritus’ and offer a low-bandwith page! 60% of all internet users are on dial-up! Not designing with us in mind is like trying to ignore that (for example) white people exist, or that (another example) the male gender exists. Half or more is NOT a minority.

If you believe that the “context” in which your comic is delivered is just as important as the “content” of the comic, then you should be even more aware than other web-designers of the bandwidth requirements of your pages! If you claim that the non-comic “context” is important to you, make sure you treat it that way when you create it.

***

If you are a comic reader:

Be aware that no matter what comics or web sites you are visiting, every time you visit it costs the creator/host money to offer you this service.

While some creators and hosts are more than happy to go on providing you the content you enjoy at their own expense, it never hurts to help out in whatever ways you can. Whether this means purchasing merchandise (shirts, hats, books, comic-collections, &c.), donating small amounts (via Paypal or BitPass or the like), or just viewing the ads on their web-pages (which nets them fractions of a penny per view, but may make the difference for them when it comes time to pay the bandwidth bills), if you can – do your part to support the content you enjoy.

Remember that these creators are offering you their comics at no cost to you, so if a new standard is agreed upon (RSS, Comics Markup Language, whatever) and adopted widely, go with the flow – it’ll be better for everyone in the long run.

***

Which brings me to perhaps my last point:

It has come up in (and mostly ended) conversations that the programmers behind Comictastic are going to be supporting RSS in the next version of their software. Conceivably, comics-creators could easily block Comictastic by adding a blank RSS file to their web server, or choose to put the entire content of their web page in every RSS item, or anything in between. This would allow comics-creators the freedom to control what appears in Comictastic when they load a comic – ads, links to merchandise, news posts – it could all appear in Comictastic.

Personally, I think this is a bad idea.

And for me it’s simply because of bandwidth. I can see that some creators would “be nice” and just put their comic and perhaps a banner ad into their RSS feed, but I can also see that people like Ghastly wouldn’t stop short of putting their entire bloated, detritus-filled web pages in every item of their feed. And since these bandwidth-offenders already have not-the-best coding in their HTML, I expect that I’ll end up downloading ten copies of their bloated code every time I want to look at the latest comic. (A typical RSS feed displays ten or more of the most recent items for a blog, so if the entire code for a web page was in each item, the RSS file would be that many times larger than the original web page.) I like the idea of a browser like this specifically because of the limits on my bandwidth.

I wouldn’t mind a 10k-15k ad alongside each comic, but I certainly don’t see the point in using an app like this if it doesn’t help save time/bandwidth. I’d switch to a competing app, refuse to update, or just go back to reading web pages and only read 5 or 6. Personally, I’d rather read more comics than fewer. And as a creator (even one who loses money on every viewer), I still prefer to have more readers than fewer.

So. That’s just my two cents.

I just received the following email. I don’t have the bandwidth, time, or interest to listen to the hearings myself, but I thought you might be.

It’s FREE:

From: “Audible Recommends”
Date: March 27, 2004 4:19:42 AM MST
To: teel@modernevil.com
Subject: 9/11 Commission Hearings Available, Compliments of Audible

Dear Teel,

The 9/11 Commission Hearings are available right now for free at http://www.audible.com/911hearings. These important audio documents represent yet another way Audible keeps you informed of the important events shaping our time.

You’ll hear Secretary of Defense Donald Rumsfeld, Secretary of State Colin Powell, former National Counterterrorism Coordinator Richard Clarke, former Secretary of State Madeleine Albright, and others as they answer tough questions on blind spots in foreign intelligence that may have enabled the worst terrorist attack in American history.

Download the Hearings now from our Web site, and feel free to share this e-mail with your friends. Let them know they can download the audio for free as well.

Sincerely,

Corey Thrasher
Senior Editor
Audible, Inc.

From now through the end of May, all my art is on sale. Anyone who lives in Arizona (so I could get the art to you without excessive expense) and/or who can come pick it up themselves here in Pine can get great prices while the sale lasts!

What do I mean by great prices?

No reasonable offer refused!

If you see a piece of art on the site (links below) that you like, email me at teel@modernevil.com and make me an offer! How low will I go? Low, low, low!

How about as low as $40 for any of these 16″x20″ paintings?

And I’ll take reasonable offers on any of these larger works and sets. Just make an offer! Almost no price too low!

If you live outside of Arizona and can’t make it to my physical gallery in Pine, AZ, you’ll still save by purchasing my original art via the provided PayPal links, or by emailing me directly to make other arrangements. If you make a reasonable offer and work with me on shipping, I’m sure we can work something out.

Thank you.

For those of you not already aware, I have been posting some short stories I wrote back in high school over in the Fiction section of Modern Evil. So far I have posted all six stories featuring The Man With The Coat, though soon I will begin posting more individual works.

Here are links to purchase each of the six stories, and to purchase all six at once:

The Man With The Coat stories (buy all six, $0.40):
  “May I Take Your Order, Please?”, $0.10
  “I Love You.”, $0.10
  “Don’t Squeeze the Charmin.”
  “Acid Rain”, $0.10
  “A Picture Is Worth A Thousand Words”, $0.10
  “A Bun in the Oven” OR “What Time Is It?”, $0.10

And to give you a little preview, here’s the first story in it’s entirety:

The Man With the Coat

“May I Take Your Order, Please?”

He was a tall man of about twenty with lightly tanned skin and dark eyes, which appeared brown, though they were truly solid black. His hair was a color that appeared sometimes auburn, though its color was never seen the same twice. He wore plain black silk shirts and loose fitting, faded blue jeans, held up by a black leather belt of an odd quality. He was an uncommonly normal man for the times that he lived in, and was usually overlooked.

He had a trench coat, of a grayish/beigeish/tannish color, which was not necessarily always seen as the same color. He was never seen without his trench coat, and many believed that his trench coat was a living part of him. His trench coat had several pockets, some on the inside lining, some out. He could pull anything he wished from any of his pockets at any given time, some people speculated, as they had seen him perform acts which pointed in this direction. Many people make wrong assumptions about many things, however, some people stumble upon the truth, sometimes.

* * * * * * * * * *

He was thinking about something else when it had happened, and he was absolutely taken aback when it did. It began simple enough, he had walked into a local fast food joint for lunch. He was worried about his plans for the sub-cultural revolution in Spengo, and about how much time it would take to clean up the mess of the 500 gallons of spilled gasoline on the freeway. He was thinking about a new way to dispose of industrial waste, and had nearly completed double-checking the genetic code for a bacterium that could turn harmful toxic waste into useable fuel in his head when it had happened. He was trying to decide whether or not to order a diet drink with his lunch, or to go with the orange juice. He was even thinking about a complicated mathematical theory that, when completed, would solve the problem of democracy, allowing the world to operate free of any trouble. Overall, his mind was someplace else.

He stood in line, thinking, and when he arrived at the front of the counter, he did not realize it. The cashier thought he was simply trying to decide what to order, and let him be for a moment or two. By then, the line behind him had grown to be unacceptable, and she had had to do something with him.

“Sir, you’re holding up the line,” she said calmly.

He jerked his head towards her, finally noticing her. He looked her over, noting the paper hat, and the dull uniform that barely complimented her warm smile. He continued thinking of other things, not realizing the significance of who she was, or even what she was wearing a uniform for.

“Sir,” her smile was suddenly sub-zero, “may I take your order, please?”

He reached into one of his inside pockets, not thinking, and grasped a small black box in his right hand. He was about to hand it to her, when he had a thought. “Humans are often confused and confusing when they speak. Perhaps I should have her repeat her thought for clarification. She does seem confused,” he thought calmly.

“What’d you say?” he asked calmly.

“May I take your order, please?” she replied.

“That’s what I thought you said,” and he handed her the small black box. This had an unusual effect on both of them.

First, he began to become disordered. Each sub-atomic particle in his body decided that they wanted to go out and seek their fortunes in the universe separately. There were first small groups of particles breaking off and floating away, not quite visible because of their infinitely tiny size. Then there were individual particles leaving, each one going in its own direction. No individual particle was perceptibly missing, however, when all of them went in different directions at once, there was definitely something perceived. To the people who saw it, it appeared that as soon as he let go of the small black box, he dissolved into the air, like a mist. Here today, gone tomorrow, they say, and yet he was gone in seconds. All mouths hung agape in awe except for that of the cashier.

The cashier was the second thing that happened. As she took the small black box from his hand, she “took his order”. Each and every sub-atomic particle in her body was suddenly, violently, where it belonged. Every atom in her body did the same, as did each molecule. So went the separate parts of her body, organized, against their will, instantly. Every living cell was where it belonged, doing what it was supposed to, and every dead cell was instantly discarded. All of her organs were working exactly as they should, and her mind was instantly re-ordered for top efficiency. She would have gone into a state of shock if she had been able to, but her body was in such peak condition that it came out of shock several seconds before it went into shock. She was as ordered as she could possibly be, and she suddenly had figured out the ultimate meaning of life.

She smiled, and she died happy. Her smile was not cold, as it had been when the man had looked up, or warm, as it had been before he had arrived. Her smile was as that of the Mona Lisa, perpetually happy, yet to the untrained eye it seemed ordinary. She smiled the smile of pure joy, which can only be achieved by those who truly understand. She smiled as she died, standing there, with a small black box in her hand. Her body was so ultimately ordered when she died that she instantaneously decomposed right where she stood. There was no trace of her left but a slight musty smell in the air and the memories that she left in the minds of others.

The small black box floated in midair for a little while, not knowing what it should do next. Then, slowly, he began to pull himself together again. This time, the process was slower, as each particle was reluctant to go back to its old routine, having seen more of the universe. Slowly, painfully, he reformed himself, grasping desperately at the small black box. Those around him saw only what they had seen earlier in reverse, as the slowness of the process was truly only a misperception on his part. When he was finished, he put the small black box back in his pocket and walked out without his lunch. He had lost his appetite.

* * * * * * * * * *

So go buy the other stories to read more!

For more information about each story, use the following links that go to my original posts about them:

I love you.
Don’t Squeeze the Charmin.
Acid Rain
A Picture Is Worth A Thousand Words.
A Bun in the Oven OR What Time Is It?

Enjoy.